The fourth movement: awakening of the real force of a national music, joy in observing that the path followed lead to success, until the moment of the brutal interruption brought on by the catastrophe beginning of deafness, perspective of a sad future, little hope of improvement, and, in the end, a feeling that was deeply painful. The second movement, quasi-polka, takes me once again to the joyous tumult of my youth when I was composing innumerable Czech dances and I myself had a reputation as an untiring dancer… The third movement, largo sostenuto, is a recollection of my first love for a young girl who later became my dear wife. Review by JJ Aug(3 of 6 found this review helpful)īedrich Smetana’s String Quartet N☁, subtitled “In My Life,” dating from the year 1876, is a program work the composer commented on as such: “What I wanted to do is to retrace in music the course of my life: First movement: taste for art in my youth, romantic atmosphere, unspeakable nostalgia… In parallel, this prologue augurs a warning of future unhappiness, this E note in the finale: it is this fateful, strident squeal that went off in my ears in 1874, marking the beginning of my deafness. I have noticed this rather sloppy production problem on another Praga release too: Schnittke: Chamber Music - Janacek Trio By contrast, here, the Smetana runs immediately and straight into the Sibelius. and certainly such a gap between different works. Normally, on CDs, there is a few seconds gap between movements. The Kocian version seems rushed (5minutes 57seconds for the first movement versus 8 minutes by the Fitzwilliam), it almost always sounds forced, and shrill. Here, I compared to the Fitzwilliam String Quartet who give a pensive, moving and beautiful account of the Sibelius. but it is the performance that is wanting. The sound and recording quality is quite good (albeit overly reverberant and sometimes boomy). It lacks the warmth and richness of the Jullliard. Their playing is comparatively rough, their tone strident, the intonation sometimes slippery and sometimes woeful (such as the second mvt of the Smetana), and their performance comes across as unpolished and forced. The Kocian do not, unfortunately, come off well from the comparison. I am comparing the Kocian Quartet's performance of the Smetana to the Julliard Quartet's recording (LP).

Sibelius string quartet op. 4